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There are more than 200 results, only the first 200 are displayed here.
Father Bob is cast in a similar mould to Peter Kennedy and Bill Morris, those other earthy Australian clerics who according to the popular narrative were suppressed by the hierarchy for flouting outdated practices. This is an appealing narrative for a secular public that has become disillusioned with institutional religion, especially due to the sexual abuse crisis and inequitable practices regarding marriage and the role of women within the hierarchy.
In Australia the reality of ongoing Indigenous disadvantage is proof of the effect of past atrocities on the structure of ensuing society. Likewise, despite some democratic progress in recent times, Indonesia's unhealed past remains a source of serious human rights problems. The Act of Killing demonstrates a direct continuum between the evils of the past and the present political reality.
Polley approaches the subject with great patience, like an anthropologist who has a deep love for those whom she is studying. In the beginning she instructs her interviewees simply to start from the start and tell it how it was. She no doubt hopes to find clues in the detail, but she also dignifies each participant by allowing them to have a voice. She is self-effacing, yet the questions she asks are bound up in her very existence.
Jasmine is a tragic figure, and her fatal flaw is that she is entirely self-absorbed. But she is also a victim; the product of a society that expects women to conform to norms that disempower them. It was not her husband's downfall and the resultant material loss that caused her breakdown. It was the many years she spent in a marriage that was fundamentally abusive.
A boy plays a treacherous prank on his brother while visiting the beach. A domestic violence victim finds comfort in a bizarre distortion of Christian faith. A man sees a news report and follows his memories back to the day of a childhood tragedy. A woman, grieving for a broken marriage, paws through her husband's box of memories. The filmmakers put their stamp on each story while paying due reverance to Winton's sublime prose.
A psychologically scarred war veteran struts about dressed as James Brown. An annual 'rocket' festival sees men celebrate explosives, in a country riddled with unspent American bombs. And a ten-year-old boy, who is accused by his grandmother of being a bad luck charm, sets out to prove that he is not to blame for the tragedies his family has endured.
Frances and Sophie had been virtually co-dependent; a celibate lesbian couple, they'd joke. But with a new circle of friends and a new fiancé, Sophie is quickly outgrowing Frances, and this throws Frances into disarray. She approaches life with wide-eyed wonder, and tries to maintain the wonder no matter what life throws at her. But endless optimism can be wearying work.
As social commentary Elysium clearly has in mind any country that receives 'unwanted' arrivals of refugees. But it seems particularly timely in Australia, where the political response to asylum seekers who arrive by boat is simply to stop them. The response by the fictional bureaucrat Delacourt, to blow the smugglers' ships out of the air before they reach Elysium, certainly takes the 'stop the boats' mentality to its extreme.
193-200 out of 200 results.